Allow your lips and eyes
to become Enchanted
by the rollings,
and unrollings
of the voices
on tongues,
that speak
with the heat,
that makes the air dance.
The singing in the "O's"
Nature speaks in spiraling codes.
Rollings to unrollings,
the verbing of the openings.
The worldly tessellations
heard in lanterns
and the trellises
of superficial form.
In the funnels
and the gully's,
where the chasms become
yawnings,
the leaves are waking up.
exposing us.
Latticed in decorations,
nature's dressings,
wearing eyelets, perforations...
the kind of rips in wear
that only naturally,
look best on us.
The fruits that bear,
the vistas and the
landscapes, from the
fields of visions
that appear
the most appealing -
painting the prettiest
of panoramas...
Uncoverings.
And if you remove
the cues
like the horizon
from a landscape scene,
it becomes difficult
to tell
if you're looking at pebbles
or hills...
There's something there
that i want to understand,
not the order or the chaos,
but something in between.
to become Enchanted
by the rollings,
and unrollings
of the voices
on tongues,
that speak
with the heat,
that makes the air dance.
The singing in the "O's"
Nature speaks in spiraling codes.
Rollings to unrollings,
the verbing of the openings.
The worldly tessellations
heard in lanterns
and the trellises
of superficial form.
In the funnels
and the gully's,
where the chasms become
yawnings,
the leaves are waking up.
exposing us.
Latticed in decorations,
nature's dressings,
wearing eyelets, perforations...
the kind of rips in wear
that only naturally,
look best on us.
The fruits that bear,
the vistas and the
landscapes, from the
fields of visions
that appear
the most appealing -
painting the prettiest
of panoramas...
Uncoverings.
And if you remove
the cues
like the horizon
from a landscape scene,
it becomes difficult
to tell
if you're looking at pebbles
or hills...
There's something there
that i want to understand,
not the order or the chaos,
but something in between.